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Visually thrilling and narratively epic, Dune: Part Two continues Denis Villeneuve’s adaptation of the beloved sci-fi series in spectacular form
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“Dune: Part Two” will explore the mythic journey of Paul Atreides as he unites with Chani and the Fremen while on a warpath of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, he endeavors to prevent a terrible future only he can foresee.
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Rating: PG-13 (Sequences of Strong Violence|Brief Strong Language|Some Suggestive Material)
Genre: Sci-fi, Adventure, Action, Fantasy, Drama
Original Language: English
Director: Denis Villeneuve
Producer: Mary Parent, Cale Boyter, Denis Villeneuve, Tanya Lapointe, Patrick McCormick
Writer: Denis Villeneuve, Jon Spaihts
Release Date (Theaters): Mar 1, 2024 Wide
Box Office (Gross USA): $157.2M
Runtime: 2h 46m
Distributor: Warner Bros. Pictures
Production Co: Legendary Pictures
Sound Mix: Dolby Atmos, Dolby Digital
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Film, also called movie, motion picture or moving picture, is a visual art-form used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound, and more rarely, other sensory stimulations.[4] The word “cinema”, short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.
❏ STREAMING MEDIA ❏
Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.
Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.
Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.
❏ COPYRIGHT CONTENT ❏
Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[4][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.
Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][40][44][42] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[43]
Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[44]
Typically, the public law duration of a copyright expires 50 to 400 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration.
It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.[45]
❏ GOODS OF SERVICES ❏
Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date.[4] In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people.
The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment.[2] Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower.
See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed]
A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 4980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 4980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed] In “DC4&”, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In “DC4&”, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.
Action:
Movies in the action genre are fast-paced and include a lot of action like fight scenes, chase scenes, and slow-motion shots. They can feature superheroes, martial arts, or exciting stunts. These high-octane films are more about the execution of the plot rather than the plot itself. Action movies are meant to be thrilling to watch and leave audience members on the edge of their seats. Cop movies, disaster films, and some spy films all fall under the action category.
Adventure:
The adventure genre is so similar to the action genre that adventure films are often categorized as action/adventure movies. Films in the adventure genre usually contain the same basic genre elements of an action movie with the setting as the key difference. Adventure movies are usually set in an exotic, far away, or unfamiliar locale.
Comedy:
Comedy films are funny and entertaining. The films in this genre center around a comedic premise — usually putting someone in a challenging, amusing, or humorous situation they’re not prepared to handle. Good comedy movies are less about making constant jokes, and more about presenting a universally relatable, real-life story with complex characters who learn an important lesson. Mockumentary, dark comedy (or black comedy), romantic comedy, parody/spoof, and slapstick comedy are all examples of comedy subgenres.
Drama:
The drama genre features stories with high stakes and a lot of conflicts. They’re plot-driven and demand that every character and scene move the story forward. Dramas follow a clearly defined narrative plot structure, portraying real-life scenarios or extreme situations with emotionally-driven characters. Films that fall into drama sub-genres include historical drama, romantic drama, teen drama, medical drama, docudrama, and film noir.
Fantasy:
Films in the fantasy genre feature magical and supernatural elements that do not exist in the real world. Although some films juxtapose a real-world setting with fantastical elements, many create entirely imaginary universes with their own laws, logic, and populations of imaginary races and creatures. Like science fiction films, fantasy films are speculative but are not tied to reality or scientific fact. High fantasy, fairy tales, and magical realism are all fantasy subgenres.
Horror:
Horror films feature elements that leave people with an overwhelming sense of fear and dread. Horror movies often include serial killers or monsters as persistent, evil antagonists to play on viewers’ fears or nightmares. Audiences who love the horror genre seek out these movies specifically for the adrenaline rush produced by ghosts, gore, monsters, and jump-scares. Films that fall into the horror sub-genres include ghost stories, gothic horror movies, science fiction horror movies, supernatural movies, dark fantasy movies, psychological horror movies, and slasher movies.
Musicals:
Musical films weave songs or musical numbers into the narrative to progress the story or further develop the characters. Musicals are often tied to romance films but are not limited to that genre. Musical movies involve big stage-like productions, integrating important premise or character elements into the sequences.
Mystery:
Mystery films are all about the puzzle, and often feature a detective or amateur sleuth who is trying to solve it. Mystery films are full of suspense, and the protagonist searches for clues or evidence throughout the movie, piecing together events and interviewing suspects to solve the central question. Hardboiled noirs and police procedurals are two subcategories that often fall under the mystery genre.
Romance:
Romance films are love stories. They center around two protagonists exploring some of the elements of love like relationships, sacrifice, marriage, obsession, or destruction. Romance movies sometimes feature hardships like illness, infidelity, tragedy, or other obstacles for the love interests to overcome. Romantic comedies, gothic romance, and romantic action are some popular romance subgenres.
Science fiction:
The sci-fi genre builds worlds and alternate realities filled with imagined elements that don’t exist in the real world. Science fiction spans a wide range of themes that often explore time travel, space travel, are set in the future, and deal with the consequences of technological and scientific advances. Sci-fi movies typically involve meticulous world-building with a strong attention to detail in order for the audience to believe the story and universe.
Thriller:
Thrillers expertly blend mystery, tension, and anticipation into one exciting story. Successful thrillers are well-paced, often introducing red herrings, divulging plot twists, and revealing information at the exact right moments to keep the audience intrigued. Thrillers often include a “ticking clock” aspect, where the stakes are set against a finite amount of time. Crime films, political thrillers, and techno-thrillers are all featured in the thriller genre.
Western:
Westerns tell the tale of a cowboy or gunslinger pursuing an outlaw in the Wild West. The main character is often seeking revenge and will face off with the criminal in a duel or shootout at the end. Westerns are vivid productions set in the American West — such as the desert, mountains, or plains — that can inspire and inform the characters and the action. Spaghetti westerns, space westerns, and sci-fi westerns are all subgenres within the Western category.
