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Volver (review) — A homecoming, an unburdening of anguish

Volver (review) — A homecoming, an unburdening of anguish

Here the dominant color is red — for blood, passion and Almodóvar himself incarnated.
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Shan Hsu
Mar adentro (review) — coated, sheathed, with sour bile arising from deep inside

Mar adentro (review) — coated, sheathed, with sour bile arising from deep inside

The film exposed the ending in the beginning, but somehow this did not alleviate the sour bile rising in my throat when the screen dimmed.
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Shan Hsu
The Motorcycle Diaries(review)—pre-emptive portrayal of Che Guevara

The Motorcycle Diaries(review)—pre-emptive portrayal of Che Guevara

Southern America seemed so distant to us, Che Guevara was no one but a cool legend in our young hearts.
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Shan Hsu
Te Doy Mis Ojos (review) — Uncovering our eyes to hard truths

Te Doy Mis Ojos (review) — Uncovering our eyes to hard truths

Sometimes we cover our eyes even when the truth is right there.
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Shan Hsu
El Secreto de Sus Ojos (review) - the world is not only in black andwhite

El Secreto de Sus Ojos (review) - the world is not only in black andwhite

After the ending scene, it still left a bitter, rusty taste in my mouth.
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Shan Hsu
Vicky, Christina, Barcelona (review) — Authentic BCN displayed?

Vicky, Christina, Barcelona (review) — Authentic BCN displayed?

This is actually one of the few movies I don’t like, and I feel really sure and strongly on this one.
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Shan Hsu
Estiu 1993 (review) — the Catalan movie that is not only Catalan

Estiu 1993 (review) — the Catalan movie that is not only Catalan

I love Estiu 1993. 10/10 kind of love.
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Shan Hsu
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