EARCARTA by MarawaOn the perception of music pt.1This is the precursor to a follow-up post, in which I explore the neural and empirical underpinnings behind music preference, music…May 3May 3
EARCARTA by MarawaI am not a music influencer, I am a mere music philosopherHere’s part two of the unintentional series that marks my small hiatus from EARCARTA, and the pantomime of me killing off the metaphorical…Apr 5, 20231Apr 5, 20231
EARCARTA by MarawaThe grand hiatus of Earcarta- or the grand methodological shift.The memory of glancing at my feed burns and replays at the centre of my conscious recall as I write the title for this blog post.Mar 22, 2023Mar 22, 2023
EARCARTA by MarawaMr Money with the Vibes — a review, and commentaryIf you’re into the Nigerian music scene, you should know by now who’s practically liquid gold now. No other person than the zeitgeist of…Sep 8, 2022Sep 8, 2022
EARCARTA by MarawaMicro to Macro- the growing problem of AfrobeatsRemember the days when contemporary Nigerian music was nothing but a small pool of music, badly crafted to emulate the American music…Aug 18, 2022Aug 18, 2022
EARCARTA by MarawaPlayboy — Fireboy DML (thoughts and review!)Third time’s the charm, or is it?Aug 5, 2022Aug 5, 2022
EARCARTA by MarawaIn the beginning, (also known as ‘beninging’).See what I did there? You can thank the gaffes of ex-South African president Jacob Zuma for that blip of inspiration.Jul 3, 2022Jul 3, 2022
