Ben Peasley‘Emily the Criminal’; or, On the normalisation of crimeJohn Patton Ford’s thriller is a tense depiction of survival in a morally bankrupt world1d ago1d ago
Ben Peasley‘The Bikeriders’: ReviewLuscious lips and tight leather can’t redeem this uneven, safe-playing biker biopicJun 26Jun 26
Ben PeasleyIan McEwan’s ‘Lessons’: ReviewHistory and life are two sides of the same coin in this fragmented and far-reaching coming-of-age epicJun 7Jun 7
Ben Peasley‘L’Inconnu du lac’ (2013): Dissecting our innate lust for dangerAlain Guiraudie’s subdued sexo-thriller explores the conflicted, complex world of cruising — one of both sexual freedom and cold disregard…Mar 12Mar 12
Ben PeasleyDune: Part Two: A seductive, sensorial cinematic feat — perhaps too beautiful for its own goodDenis Villeneuve continues to break boundaries in this stunning sequelMar 10Mar 10
Ben Peasley“There’s vampires at my door”Andrew Haigh’s All of Us Strangers is an oneiric, haunting exploration of modern gay existenceFeb 71Feb 71
Ben PeasleyLeave the World Behind: ReviewRoss and Rachel can’t save us in an unrecognisable worldDec 26, 2023Dec 26, 2023
Ben PeasleyFassbender is The Killer going about things the wrong wayDavid Fincher’s thriller tests the limits of an inflated ego — and a killer subconsciousDec 4, 2023Dec 4, 2023
Ben PeasleyIn Memoriam: ReviewAn intimate portrayal of conflict, shame and gay love during World War I.Jul 5, 2023Jul 5, 2023