Chris OlszewskiFilm Review: Project PowerProject Power’s underwritten script wastes its world-building and three strong lead performances.Aug 23, 2020Aug 23, 2020
Chris OlszewskiFilm Review: Boys StateDirectors Jesse Moss and Amanda McBaine make a mock-up of the Texas state government seem as important as the real thing in BOYS STATEAug 22, 2020Aug 22, 2020
Chris OlszewskiFilm Review: I Used to Go HereI Used to Go Here tries to reach some semblance of realism and insight, but it fails.Aug 9, 2020Aug 9, 2020
Chris OlszewskiFilm Review: BabyteethBabyteeth tries to bring wholesale elements of theater to the big screen and combine them with the language of cinema. It fails.Aug 3, 2020Aug 3, 2020
Chris OlszewskiFilm Review: First CowKelly Reichardt’s First Cow is assured in its construction and near-perfect in its execution.Aug 1, 2020Aug 1, 2020
Chris OlszewskiThe Gone With the Wind Stuff is a Massive Nothingburger. Here’s why.HBO Max removed Gone with the Wind…for now. No big deal.Jun 12, 2020Jun 12, 2020
Chris OlszewskiFilm Review: Crip CampMaybe I’m not the best person to review this film. As a disabled person and history buff, I know much of the material this film covers…May 9, 2020May 9, 2020
Chris OlszewskiFilm Review: The Umbrellas of CherbourgThere’s no better time than the present to enjoy this classic.Apr 2, 2020Apr 2, 2020
Chris OlszewskiFilm Review: Pain and GloryPain and Glory is one of several 2019 films by directors ruminating on their lives and crafts.Jan 27, 2020Jan 27, 2020
Chris OlszewskiFilm Review: Les Miserables (2019)The result is still great, even if it doesn’t reach the highs of its inevitable comparisons.Jan 22, 2020Jan 22, 2020
