Dan SchindelinImmerseDocumentary Production’s New NormalPerspectives on shooting, editing, and managing documentaries in the pandemicSep 23, 2022Sep 23, 2022
Dan SchindelinImmerseThe Untapped Potentials of Documentary in Augmented RealityIn many ways, AR still feels like it’s in its infancy. But some artists are gradually exploring its possibilities.Sep 19, 2022Sep 19, 2022
Dan SchindelinImmerseThe Future of Streaming DocumentaryAn interview with media researchers Joshua Glick and Nora Stone on documentary platform politics in the Netflix EraJul 11, 2022Jul 11, 2022
Dan SchindelinImmerseVicarious Gaming“Experiencing” as a new dimension of modern gamingJul 8, 2022Jul 8, 2022
Dan SchindelinImmerseThe Eyewitness Immediacy of Protest LivestreamingA brief evolution of simultaneous streaming and its applications for activism and movement buildingMay 24, 20221May 24, 20221
Dan SchindelinImmerseThe Art of Avatar CreationWhat drives players of games like “Elden Ring” to share screenshots of their avatars?May 13, 2022May 13, 2022
Dan SchindelinImmerseThe Rise of Synthetic Audio in Documentary FilmsExamining the use of voice models from “Val” to “The Andy Warhol Diaries”Apr 11, 2022Apr 11, 2022
Dan SchindelinImmerseCan Pirates Help Save Nonfiction Works?Finding inspiration in the corner of the internet where torrent trackers, MEGA uploads and other bootleg networks thriveMar 9, 20221Mar 9, 20221
Dan SchindelinImmerseField Notes: Sundance New Frontier 2022On Sundance’s social VR offerings and New Frontier projects “The Inside World,” “Cosmogony,” “Suga’,” and “Gondwana”Feb 3, 2022Feb 3, 2022
Dan SchindelinImmerse“As Organic as a Real Camera”: An Interview with Joe HuntingThe director of We Met in Virtual Reality discusses filming in VR and personal narratives of the metaverseJan 25, 2022Jan 25, 2022
