Garrett LevineNYFF61 Review: FerrariMichael Mann’s FERRARI goes the distance behind Adam Driver’s strong, standout performance as Enzo Ferrari. Ferrari is remarkably callous…Oct 22, 2023Oct 22, 2023
Garrett LevineNYFF61 Review: The Sweet EastLillian (Talia Ryder) is the unapologetic, hard-to-decipher female protagonist films have failed to give us in recent memory. In THE SWEET…Oct 22, 2023Oct 22, 2023
Garrett LevineNYFF61 Review: The Zone of IntJonathan Glazer’s first feature film in 10 years reminds the cinephile community how remarkably talented he is. With THE ZONE OF INTEREST…Oct 22, 2023Oct 22, 2023
Garrett LevineNYFF61 Review: Evil Does Not ExistRyusuke Hamaguchi’s latest feature is an understated film that explores the impact of wealthy capitalists desires on smaller communities. A…Oct 22, 2023Oct 22, 2023
Garrett LevineNYFF 61 Review: Hit ManIf HIT MAN came out in 2015 with a major theatrical release I believe Glen Powell would be bigger than Ryan Reynolds right now. Richard…Oct 22, 2023Oct 22, 2023
Garrett LevineNYFF61 Review: MaestroBradley Cooper’s second directorial feature is a complete and utter success thanks to his fantastic camerawork (alongside cinematographer…Oct 22, 2023Oct 22, 2023
Garrett LevineNYFF61 Review: The Boy and the HeronHayao Miyazaki’s latest film continues in his tradition of making beautiful, charming worlds that envelope his viewers. It’s remarkable to…Oct 22, 2023Oct 22, 2023
Garrett LevineNYFF61 Review: Poor ThingsYorgos Lanthimos’ ability to recreate the ordinary within the unordinary is what separates him from his peers. In Poor Things, Lanthimos…Oct 22, 2023Oct 22, 2023
Garrett LevineNYFF60 Review: ‘White Noise’“A certain fear of death, dull and oppressive, came to him.” — Jack LondonOct 20, 2022Oct 20, 2022
Garrett LevineNYFF60 Review: ‘EO”Kudos to Jerzy Skolimowski for crafting the most sympathetic protagonist to ever grace the silver screen. EO is a film about a beautiful…Oct 16, 2022Oct 16, 2022
