Jules F. Chin GreeneinPop OffIndigenizing Thor and the Evils of Imperialism in “Thor: Ragnarok”A new kind of anti-imperialist heroJul 22, 2020Jul 22, 2020
Jules F. Chin GreeneinPop OffForget “Contagion,” You Should Be Watching “Kingdom” in QuarantineNetflix’s first Original Series from Korea is an insightful commentary on a viral outbreak, featuring zombies.Apr 11, 20203Apr 11, 20203
Jules F. Chin GreeneinPop Off“Harley Quinn: Birds of Prey” is an Exemplary Feat of Action FilmmakingTake it from me, a Bruce Lee scholarFeb 22, 2020Feb 22, 2020
Jules F. Chin GreeneinPop OffA Love Letter to “The Farewell”The film mirrors my life with my grandmother’s dementiaJan 17, 20201Jan 17, 20201
Jules F. Chin GreeneinPop OffWhy Do I Always End Up Crying at the Movies on Christmas?A closer look at a tearful traditionDec 12, 2019Dec 12, 2019
Jules F. Chin GreeneinPop OffHow “The Mandalorian” Reimagines “Star Wars”A different side of a galaxy far, far awayDec 5, 20191Dec 5, 20191
Jules F. Chin GreeneinPop Off“Knives Out” and the Spectacular Return of Rian Johnson“The Last Jedi” director drops the mic with “Knives Out”Dec 3, 20191Dec 3, 20191
Jules F. Chin Greene“Frankenstein” for the Multiracial Teenage GirlHow Mary Shelley’s Creature understood my multiracial hybridityNov 28, 2019Nov 28, 2019
Jules F. Chin GreeneinPop OffBong Joon-ho’s Horrifying Truths about PowerKnowledge of truth equals power in Bong’s filmsNov 10, 2019Nov 10, 2019
Jules F. Chin GreeneinThe StartupWhat It’s Like to Hear the World in Color and in TouchSilly stories of synesthesia, music, filmmaking, and my brainNov 3, 2019Nov 3, 2019
