JMThe Glorification of Imperialism in Coppola’s Marie Antoinette (2006)The Feminist Icon We Deserve?Jun 21Jun 21
JMMapping The Discomforting Dynamics of Patriarchy That Persist in ‘Our’ Homes and ‘Theirs’A Critical Analysis of Manik Chatterjee & Gulzar’s Ghar (1978)Oct 2, 2023Oct 2, 2023
JMThe Significance of Cynical Endings in Indian CinemaThe importance of pessimistic endings can be understood by simply examining the kind of films that truly leave an impact on us as viewers…Jul 20, 2023Jul 20, 2023
JMWhy Harakiri (1962) is not a Samurai FilmIf you wish to delve deep into the history and culture of feudal-era Japan, be sure to have Harakiri, the film that changed samurai cinema…Jul 18, 2023Jul 18, 2023