Uday kamathEchoes of NirośTha: Merging Philosophy, Religion, Poetry and MusicMoreshwar Ramchandra Paradkar (मोरेश्वर रामजी पराडकर), also known as Moropant (मोरोपंत) ), crafted 108 versions of Ramayan in Marathi, each…Sep 19, 2023Sep 19, 2023
Uday kamathThe humorous side of Raja Mehdi Ali Khan — Part 2Continuing the journey, this post is solely dedicated to one Ghazal — Adīb kī Mehbūbā!Aug 18, 2021Aug 18, 2021
Uday kamathThe humorous side of Raja Mehdi Ali Khan — Part 1For most poetry, music, and Hindi film fanatics, Raja Mehdi Ali Khan (1915(not 1928 as on many websites)-1966) is a well-known name…Aug 9, 2021Aug 9, 2021
Uday kamathRules !— Relationship Between Tabla Compositions and Urdu GhazalsThe other day I was listening to an engaging conversation between Shri Amod Dandavate (NJ), Shri Debu Nayak (VA), and Shri Dibyarka…Jun 8, 2020Jun 8, 2020
Uday kamathProsody in PoetryIn this blog, we will go step by step understanding various components that help analyze Poetry in English from a rhythmic or prosodic…May 7, 2020May 7, 2020
Uday kamathAnalysis of Ghalib’s Ghazals using NLP and Machine LearningIntroductionApr 1, 20201Apr 1, 20201
Uday kamathMarching Band songs, Rythmic Meters and Hindi/Urdu Geet and GhazalsInteresting to note that from a poetry-prosody perspective, almost all marching band songs, etc. follow the rhythmic cycle ofMar 7, 2020Mar 7, 2020
Uday kamathImmortal Qawwali — “nā toh kārwāñ kī talash hai”While running through the wilderness of W&OD (Purcellville), was listening to Qawwalis and though have heard it thousand times before, “ना…Mar 7, 20201Mar 7, 20201
Uday kamathGhazals, Geet, Stotras and connection to — MathI was listening to the beautiful GhazalMar 7, 2020Mar 7, 2020