PinnedMuriel ParaboniComplacencyOn the high seas, like birds adrift. No safe landing, no laws other than the sun and widespread irony.Apr 10Apr 10
Muriel ParaboniPonto de Fuga/Vanishing PointInstável instante — inevitável revés. Diante do espelho os olhos encontram a lâmina lenta — lama-jardim das vaidades.May 16, 2020May 16, 2020
Muriel ParaboniHora sem lugar / HourglassEnquanto a noite se espalha no fundo do mar / While night spills under the seaMay 9, 2020May 9, 2020
Muriel ParaboniThe taste of beautyFilmmaker Julian Schnabel had already anticipated something of his dearest desires in Basquiat (1996) by introducing Vincent Van Gogh’s…Mar 6, 2019Mar 6, 2019
Muriel ParaboniOne stitch at a timeIf human relations, and “romantic” love in particular, are key themes for American filmmaker Paul Thomas Anderson, in “Phantom Thread”…Jul 26, 2018Jul 26, 2018
Muriel ParaboniBetween form and intentionThe Square (2017), the most recent work by Swedish director Ruben Östlund, may be less a film about the art world, as it seems, than a film…Jun 26, 2018Jun 26, 2018
Muriel ParaboniDead Souls“Loveless” (2017), the latest feature by Russian director Andrey Zvyagintsev, presents a strongly realistic approach as means of leaving…Jun 5, 2018Jun 5, 2018
Muriel ParaboniRespirar a corCemitério do Esplendor (2015), de Apichatpong Weerasethakul, é uma experiência de notável extensão cinemática. Como em toda a filmografia…Jan 31, 2018Jan 31, 2018
Muriel ParaboniTo breathe colorApichatpong Weerasethakul’s “Cemetery of Splendor” (2015) is a remarkable cinematic experience. As in all director’s filmography, the film…Jan 31, 2018Jan 31, 2018
