Shelley SnyderinNo ProsceniumA Model of the Industry — reflections on ‘The Manikins’ (THE NOPRO REVIEW)Another look at the London show that has immersive superfans talkingJul 12Jul 12
Shelley SnyderinNo ProsceniumUnlocking the Mysteries of ‘Key of Dreams’ (The NoPro Review)Lemon Difficult’s follow up to ‘The Locksmith’s Dream’ impresses in WalesMay 13May 13
Shelley SnyderinNo ProsceniumAn Initial View From the Bridge (PREVIEW)A first look on the deck of Parabolic Theatre’s Bridge Command (2024)Mar 19Mar 19
Shelley SnyderinNo ProsceniumA Shift at ‘Saint Jude (Review)Swamp Motel’s coma clinic interactive audio narative is now taking in-person appointmentsFeb 1, 2023Feb 1, 2023
Shelley SnyderinNo ProsceniumA Long-Awaited War: ‘The Burnt City’ (The NoPro Review)Punchdrunk’s latest sets London’s theatre scene ablazeMay 3, 2022May 3, 2022
Shelley SnyderinNo Proscenium‘WE STILL FAX’ Offers The Whole Package (The NoPro Review)London’s ANTS Theatre delivers a multisensory treat straight to your homeApr 26, 2021Apr 26, 2021
Shelley SnyderinNo ProsceniumGo Along For The Ride with ‘We’re All Strangers Here’ (The NoPro Review)A mixed bag of interactivity and passivity with Hitcher Encounters’ audio-led experienceFeb 24, 2021Feb 24, 2021
Shelley SnyderinNo Proscenium‘Viper Squad’ is A Plan That Comes Together (Review)Join the A-Team in a nostalgic new production from CtrlAlt_RepeatNov 13, 2020Nov 13, 2020
Shelley SnyderinNo Proscenium‘We Are Shadows’ Brings London’s Brick Lane’s Stories to Your Ears (Review)A personal tour with the shade of a tour guideSep 28, 2020Sep 28, 2020
Shelley SnyderinNo Proscenium‘England Expects’ Exceeds Expectations (Review)Parabolic Theatre’s prequel production delivers open-ended delights over ZoomAug 13, 2020Aug 13, 2020
