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My Snapcode

Storytelling behind Snapchat Stories.

Claudia Gordo
Jun 13, 2016 · 5 min read

Recently, I decided to start a new project to analyze social media aspects by experimenting on my own daily uses. This approach pretends to inspire a series of researches related to social platforms mixing theory and practice. So it, this Medium will be my ongoing dairy and fieldnotes for reporting thoughts and advances on the current research. To start, the first topic will base on the trendiest app of the moment, Snapchat.

The app opens up a new form of communication amongst peers that allow data being sent in a spontaneous way to narrate the live moments. Unlike sending photographs or simple text messages, Snapchat encourages users to set a 1–10 seconds expiration date on their piece of communication (from now, Snap). Users are able to send time inhibited photographs and videos that can be crazy without the fear of being viral or overexposed as in other social media websites such as Twitter or Facebook.

On the centre of the study, I will focus on a particular feature the app offers to their users to express themselves in a public way, the Stories. They are a compilation of Snaps in a chronological order and public for the user’s followers. Stories live on the screen for 24h. and disappear (unless users screenshot them) for one time and people can interact with them (if the creator allow it). Therefore, users (or Snapchatters) can show their daily live by creating narratives with a never ending structure (beginning, middle and ending) and mixing content (photo, video, drawing, filters, etc).

To know more about the app, I would recommend to surf into the fantastic explanations of the support page and blog page.

Purpose

The objective of this study is to look into the different context of Snapchat to see how users tell stories using their art. The way they talk, the tools they use and how they are creating these particular stories.

I am also interested in analyzing the expanded practices through Snapchat features of telling real life and alive narratives.

Considerations

In order to settle down this research it is necessary to consider the following dimensions:

  1. Sample. Overseeing the different users on Snapchat for a while, It has been marked certain groups which show frequent activity on their profile. It was discarded sponsored profiles on Discover or Live events because they are the result of professional marketing strategies and deliberated content. At this point, it rather fix the sample on personal or institutional accounts using the day-to-day timeline, even if they respond to a professional purpose. So it, the research looks into the spontaneous narrative that users create on the daily practices of the app. To be more precise, it was selected two profiles from the following groups: fashion bloggers, celebrities, mass media, political institutions and learning institutions.
  • Timezone. The chose sample goes from China to the USA, so it is important to settle a fixed time to recapitulate the snaps of a story. That affects the way the story is created and how we digest it. As is impossible to collect from the user vision, the timezone would add a subjective point of view, specifically the Central-Europe meridian, GMT+1 (summer time). In this case, 9 P.M. (GMT+1).

The research

First a conceptual approach to the world Snapchat has been raised. One of the first task is to make a glossary of terms on Snapchat language to understand how it works. It is not with the intention of explaining the app but to settle the concepts in the way the research will consider them.

Then it is carrying out a set of participatory research techniques to explore the Snapchat world. At this point, the main purpose is to observe the behavior of people the app. So I will start collecting data through self-experience and experience of the others using participant-observation methodologies. For seven days, I will be recording how the selected individuals communicate and combine the tools provided to tell their own days by stories. Starting by looking at structure of the smaller piece of information (the Snap), framing and sticking it together with others. Probably, it could not be possible track all users in a row so, they will be divide by areas (fashion bloggers, celebrities, etc.) to have the whole picture. At the moment, It is being hard to find educational so this could be the last group recorded. The data collected will be available at an open worksheet.

Once a set of data in a particular area is collected, it will be exposed in a post guessing an early composition of a story. In the meantime, it is decisive to fix some concepts and frame the research with theories and previous reviews of academic papers on virtual ethnography, storytelling and social construction.

Starting question

  • Do they snap different according to their areas of action (fashion, education, politics…)?

c:/ CyberStories and others

A bunch of stories created by @CyberPractices

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