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The Knives Were Three

The Knives Were Three

What do the arts, Lincoln Center, and over-tourism have in common? You’re about to find out.
Go to the profile of Stacey K Eskelin
Stacey K Eskelin
Why We Need Obscenity

Why We Need Obscenity

Here in New York City, the one-time arts capital of the world, it’s aim, aim, aim for the middle.
Go to the profile of Stacey K Eskelin
Stacey K Eskelin
Art and the Human Spirit: A Requiem

Art and the Human Spirit: A Requiem

How the first generative AI statue is a soulless abomination & other stories.
Go to the profile of Stacey K Eskelin
Stacey K Eskelin
Why You Might Be Going Crazy

Why You Might Be Going Crazy

My friends, these are unprecedented times.
Go to the profile of Stacey K Eskelin
Stacey K Eskelin
Women Across the World Are Stapling Their Knees Shut

Women Across the World Are Stapling Their Knees Shut

Lysistrata it ain’t. It’s actually much much better.
Go to the profile of Stacey K Eskelin
Stacey K Eskelin
Through A Glass Darkly: Who Are We in the Age of Internet?

Through A Glass Darkly: Who Are We in the Age of Internet?

To “see through a glass darkly” is to have a warped vision of reality. What’s yours?
Go to the profile of Stacey K Eskelin
Stacey K Eskelin
Netflix’s New Marilyn Monroe Biopic, BLONDE, is a Lorazepam Lollipop

Netflix’s New Marilyn Monroe Biopic, BLONDE, is a Lorazepam Lollipop

And my review of it addresses an even darker subject: us.
Go to the profile of Stacey K Eskelin
Stacey K Eskelin
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