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Film Review: HIDDEN FIGURES

Hidden Figures, the third feature by St. Vincent director Ted Melfi, is a rare Oscar-bait drama with genuine…

‘A Monster Calls’: A Flat Reimagining of the ‘Pan’s Labyrinth’ Fable

‘Nocturnal Animals’: A Brutal Cocktail of Unsubstantiated Style

Film Review: THE ACCOUNTANT

For a film celebrating difference, Gavin O’Connor’s autistic assassin drama is disappointingly normal.

Gavin O’Connor’s The Accountant is merely the latest Warner Brothers release cursed…

INFERNO Review: “Dante’s Demons”

Tom Hanks is back for another Robert Langdon adventure, but Inferno…

Film Review: X-MEN: APOCALYPSE

Bryan Singer’s X-Men: Apocalypse has all the ingredients of an abysmal film, yet entertains with its lively opera of poor decisions.

BATMAN V SUPERMAN: DAWN OF JUSTICE Review: “Heroes Reborn”

Enthusiastic director Zack Snyder smashes two American icons together. A mess is made.

Film Review: HAIL, CAESAR!

Joel and Ethan Coen amuse themselves, and few others, in this unpleasantly incoherent 1950s farce.

A starry ensemble cast (almost none of whom actually share scenes with one another). A…

THE HATEFUL EIGHT Review: “Western Pain”

Quentin Tarantino tests his audience’s patience with a dull, indulgent Western homage.

It takes a good storyteller to leave his audience wanting more. It takes a very special…

Film Review: THE BIG SHORT

Adam McKay’s hyperactive Wall Street drama is impressively unique, but fails to be as engaging as it should be.