Jamie Lee Curtis, Transphobia, and Bad Takes on the ‘Halloween’ Franchise

After ending Halloween, Jamie Lee Curtis is taking on long-term PTSD, transphobia, and terrible opinions about her most beloved franchise

Stephenie Magister ✨
Prism & Pen

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Graphic by me, elements from Halloween (Miramax, Blumhouse Productions, Trancas International Films, Rough House Pictures, Universal Pictures) and a photo by David Menidrey on Unsplash

Affable teenager → Middle-aged-survivalist → Lovable grandma → Trans Mom Icon

At first, I was with The Filmcast (YouTube), particularly Jeff (and somewhat Dave), who say that Laurie Strode’s arc is disrupted by where she begins at the opening of Halloween Ends.

In Halloween (1978), Laurie faced an unimaginable boogeyman named Michael Myers while she was still a teenager. In Halloween (2018), she faced Michael as a middle-aged survivalist. In Halloween Kills (2021), the regretful aid of a few firemen disrupted what should have been the end of Michael Myers, costing Laurie her success and most of what family she had left.

See also: Is “Halloween Ends” The Biggest Retcon In The Entire Franchise?

In Halloween Ends (2022), Laurie now lives back in Haddonfield. She’s a carefree grandma. She’s writing a memoir. She mourns the loss of Judy Greer from the franchise, as do we all, but she keeps the hope of a flashback cameo close to her heart.

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Stephenie Magister ✨
Prism & Pen

| 40 Under 40 Nominee | Queer History with Step-Hen-ie | Former editor for award-winning and best-selling authors | https://linktr.ee/StephenieMagister