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Review: Donnie Darko (2001)

Review: Donnie Darko (2001)

Enigma as a thematic device in itself is something I’ve applied to the films of David Lynch and his surrealist ilk, but until my third…
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Caleb Quass
Review: Lady in the Water (2006)

Review: Lady in the Water (2006)

At this point it feels beyond redundant to discuss M. Night Shyamalan’s fall from critical grace, but it’s worth mentioning because I think…
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Caleb Quass
Review: Alien: Covenant (2017)

Review: Alien: Covenant (2017)

For me, the ultimate undoing of Alien: Covenant is that like too many blockbusters of relative prestige, it renders itself formless and…
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Caleb Quass
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Review: Elephant (2003)

Review: Elephant (2003)

Quite possibly one of the most multifaceted movies I’ve ever seen, Gus Van Sant’s Elephant is simultaneously an allegorical tapestry of…
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Caleb Quass
Review: Christmas with the Kranks (2004)

Review: Christmas with the Kranks (2004)

In its own middlebrow, noxiously “tasteful” way, this is one of the most offensive films I’ve ever seen. I’m not speaking on the level of…
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Caleb Quass
Review: The Lords of Salem (2012)

Review: The Lords of Salem (2012)

Previously hell-bent on emulating the sleazy spirit of the grindhouse features he so clearly adores, it’s somewhat of a surprise that Rob…
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Caleb Quass
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Review: American Sniper (2014)

Review: American Sniper (2014)

Chris Kyle, the subject of Clint Eastwood’s American Sniper, is by official standards the most lethal sniper in US military history. He has…
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Caleb Quass
Written by Caleb Quass
Written by Caleb Quass
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