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The Blood-Soaked Badlands Of Commercial Fiction: The Hunted By Gabriel Bergmoser (a review)

The Blood-Soaked Badlands Of Commercial Fiction: The Hunted By Gabr...

Where Bergmoser’s debut series, Boone Shepard, grappled with high concept, referential storytelling, The Hunted finds itself largely…
Go to the profile of David McNeill
David McNeill
Disco Elysium: Slipping Into Annihilation

Disco Elysium: Slipping Into Annihilation

This Article Contains Spoilers for Disco Elysium’s ending, and whole story. You have been warned.
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David McNeill
Reflecting on the Souls Franchise & Sekiro’s Ending

Reflecting on the Souls Franchise & Sekiro’s Ending

My obsession with Dark Souls and FromSoftware is entwined with my origin story as a creator of internet things.
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David McNeill
Disco Elysium’s History Is Its Only Certainty

Disco Elysium’s History Is Its Only Certainty

This article contains minor spoilers for Disco Elysium.
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David McNeill
Games crit
The Cosmic Horror I Never Asked For

The Cosmic Horror I Never Asked For

Bloodborne made me into a blood-soaked lunatic, and I love it.
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David McNeill
Darkest Dungeon Is A Perfect Human Resource Management Simulator

Darkest Dungeon Is A Perfect Human Resource Management Simulator

The turn-based RPG turned me into the monstrous managers I hate the most.
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David McNeill
A Pistol Changed My Mind About Outer Worlds

A Pistol Changed My Mind About Outer Worlds

Okay, so I’m in love with Outer Worlds.
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David McNeill
Opinion
How a cartoon horse changed my life.

How a cartoon horse changed my life.

Or how Bojack Horseman reinvented drama.
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David McNeill
Podcasts
Tarantino’s Reference Re-Mixing and Violence Seem To Follow Him Everywhere

Tarantino’s Reference Re-Mixing and Violence Seem To Follow Him Everywhere

It might be that Tarantino’s signature style is more of a signature hang up that he can’t escape.
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David McNeill
Margot Robbie De-Centres Rick Dalton, But Does It Work?

Margot Robbie De-Centres Rick Dalton, But Does It Work?

Once Upon A Time In Hollywood was heavily scrutinised for its representation, but are the critics missing something?
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David McNeill
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