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‘Action is eloquence’: (Re)thinking Shakespeare
Rethinking Lockdown
A Midsummer Night's Dream
Hamlet
Romeo and Juliet
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About #RethinkingShax
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‘Action is eloquence’: (Re)thinking Shakespeare
A blog looking at modern performance, adaptation and appropriation of Shakespeare on stage, screen and beyond. #RethinkingShax
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Shakespeare
Benjamin Broadribb
in
‘Action is eloquence’: (Re)thinking Shakespeare
May 2, 2022
Review: Richard II (directed by Annie McKenzie for Quandary Collective) at The Vaults Theatre, London, April 2022
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10
Benjamin Broadribb
in
‘Action is eloquence’: (Re)thinking Shakespeare
Dec 14, 2021
‘I made my family disappear’: Echoes and inversions of King Lear in Home Alone
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3
Benjamin Broadribb
in
‘Action is eloquence’: (Re)thinking Shakespeare
Sep 2, 2021
‘Tut, I have lost myself. I am not here.’: Rethinking Romeo in Ola Ince’s Romeo & Juliet at Shakespeare’s Globe
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Benjamin Broadribb
in
‘Action is eloquence’: (Re)thinking Shakespeare
Jul 8, 2021
Review: Rock Bottom (directed by Charlie Day for Fresh Life Theatre)
Ben Broadribb reviews Charlie…
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1
Gemma Allred
in
‘Action is eloquence’: (Re)thinking Shakespeare
Mar 11, 2021
Dear Shakespeare, Could You Write A Happy Ending Please?: (de/re)stabilising the canon Tik by Tok
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5
Benjamin Broadribb
in
‘Action is eloquence’: (Re)thinking Shakespeare
Feb 2, 2021
‘Capital crimes, chew’d, swallow’d and digested’:
ITALive’s Kings of War and the final days of Trump
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Benjamin Broadribb
in
‘Action is eloquence’: (Re)thinking Shakespeare
Jan 2, 2021
‘Peace! the charm’s wound up’: Subverting virtual theatre in Big Telly’s Macbeth and Hijinx Theatre’s Metamorphosis
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#RethinkingShax
in
‘Action is eloquence’: (Re)thinking Shakespeare
Dec 15, 2020
‘Here’s
eight
that must take hands’: Celebrating The Show Must Go Online’s First Folio series
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Benjamin Broadribb
in
‘Action is eloquence’: (Re)thinking Shakespeare
Nov 22, 2020
Henry V Take 2: Cross-Stitch Theatre’s parodic, poignant love letter to Lockdown Shakespeare
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Gemma Allred
in
‘Action is eloquence’: (Re)thinking Shakespeare
Nov 4, 2020
‘He has no children’: The centring of grief in The Show Must Go Online’s
Macbeth
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45