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觀察者藝文田野檔案庫 aofa.tw
Arts Observer Field Archive
English Posts
TAINAN 台南事
ART LAB 實驗場
CONTEXT 脈絡
REVIEWS 評論
ISSUE 特別企劃
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空間化、陌生化到時間化:解構蔡宗勳的創作歷程|朱弘煜
空間化、陌生化到時間化:解構蔡宗勳的創作歷程|朱弘煜
一種反經驗、具批判性的創作意圖
Arts Observer Field Archive
Jan 4, 2022
Latest
My Left Eye|Lewis Gesner
My Left Eye|Lewis Gesner
This is a kind of point of departure.
Arts Observer Field Archive
Sep 5, 2022
煮茶人與拉格 2
煮茶人與拉格 2
很難解釋什麼是 Raag。
pinkchange
Jul 15, 2022
脈絡 CONTEXT
Elastic Parallels Conversation I: Francesca Simmons & Li-Chin Li
Elastic Parallels Conversation I: Francesca Simmons & Li-Chin Li
A Taiwan-UK female long-distance sound collaboration
Arts Observer Field Archive
Sep 24, 2021
Elastic Parallels Conversation II: Elaine Cheng and Sheryl Cheung
Elastic Parallels Conversation II: Elaine Cheng and Sheryl Cheung
A Taiwan-UK female long-distance sound collaboration
Arts Observer Field Archive
Sep 24, 2021
Elastic Parallels Conversation III: Manuella Blackburn & Chloe Yu Nong Lin
Elastic Parallels Conversation III: Manuella Blackburn & Chloe Yu Nong Lin
A Taiwan-UK female long-distance sound collaboration
Arts Observer Field Archive
Sep 24, 2021
藝術評論 REVIEWS
貝葉・霧靄・降靈會:彭思錡《微軀》之思想布置|凃倚佩
貝葉・霧靄・降靈會:彭思錡《微軀》之思想布置|凃倚佩
如履薄冰的恐懼,恰是最具爆發力的核心
Arts Observer Field Archive
Dec 22, 2021
檳榔樹、赤道帶與分子化的色光|鄭勝華
檳榔樹、赤道帶與分子化的色光|鄭勝華
談張新丕「熱帶天堂 — 合界」個展
Arts Observer Field Archive
May 6, 2021
實驗場 ART LAB
素材及物質|Lewis Gesner
素材及物質|Lewis Gesner
我們應用「物質」取代「素材」
Arts Observer Field Archive
Jan 11, 2022
Material and Matter
Material and Matter
by Lewis Gesner
Arts Observer Field Archive
Dec 1, 2021
拒絕與擁抱|Lewis Gesner
拒絕與擁抱|Lewis Gesner
忘記,然後前進,不要改進。當藝術的救星
Arts Observer Field Archive
Nov 14, 2021
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