Love Letters, written by ghosts

By Hannah Moore

A Pornographic Performance—Minus the Erotic

Mette Ingvartsen’s 21 Pornographies

Crossing The Thickest Line

Is It Harder Now to Get Artist Visas?

By Urvija Banerji

The French-Moroccan playwright Mohamed El Khatib was apprehensive about traveling to the United States to perform his one-man show, “A Beautiful…

Dancing Around The Revolution

nora chipaumire’s “#PUNK 100%POP *N!GGA”

By Urvija Banerji

“Every n***** needs a revolution, every revolution needs a n*****.” This is the refrain choreographer nora chipaumire adopts in the second…

A Reconstruction and Deconstruction of Loss

Mohamed El Khatib’s A Beautiful Ending

The “Hoochie Coochie” Receives its Overdue Credit

Trajal Harrell’s “Caen Amour”

By Hannah Moore

When belly dance was first introduced to the American public at the Chicago World’s Fair in 1893, it met with a mix of…

The Human Experience

David Geselson’s “Unwritten Letters”

By Lisa Peterson

In the crowded FIAF Skyroom on the Upper East Side, an audience listens intently as French theater maker David Geselson speaks in the voice of a husband putting a…

A Grim Look at Beauty Standards

Claudia Huidobro’s “Faite Main”

Let Me Catch My Breath

Jeanne Balibar’s “Les Historiennes”

A Trip Through Light and Sound

Leila Bordreuil’s “Episodes et Mutations”