To relay how I came up with the inspiration to write the stage play, Murder With Grace, would be disingenuous on my part because the play actually started out as a screenplay. I was no thespian at the turn of the millennium — more a movie lover. And…

Last year, Brad Lohrenz emailed me from Samuel French, asking if New Line Theatre would be interested in producing Hands on a Hardbody. We’ve made a habit of bringing back to life shows that didn’t do well in New York (High Fidelity, Cry-Baby, etc.), so I was…