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The Route to Mass Adoption

The Route to Mass Adoption

VR isolates you, it’s expensive, it’s not mainstream. But this is all going to change. Not overnight, but gradually.
Go to the profile of Henry Stuart
Henry Stuart
How I Made ‘Witness’: a VR Experience of Warsaw Uprising

How I Made ‘Witness’: a VR Experience of Warsaw Uprising

A case study for ideation, prototyping and immersive 3D design
Go to the profile of Sayam
Sayam
Story Architects of the [near] Future

Story Architects of the [near] Future

Finite-branching Narratives, Procedural Stories, World Building and the Art of Storytelling
Go to the profile of Heston L’Abbé
Heston L’Abbé
VR is Not a Fad

VR is Not a Fad

De-abstracting presence and agency matters in a big way.
Go to the profile of Heston L’Abbé
Heston L’Abbé
Storyboarding in 360°: A Case Study

Storyboarding in 360°: A Case Study

Create frames not to guide the observer, instead create worlds for them to discover stories.
Go to the profile of Christophe Merkle
Christophe Merkle
The VR Industry, Part 1: Cinematic VR

The VR Industry, Part 1: Cinematic VR

Democratization of cinematic VR has turned the entire nascent industry upside down.
Go to the profile of Armando Kirwin
Armando Kirwin
The VR Industry, Part 2: Workforce

The VR Industry, Part 2: Workforce

In the early days of cinematic VR, integrated studios with salaried people made sense. Rapid advancement of tech has eliminated that need.
Go to the profile of Armando Kirwin
Armando Kirwin
The VR Industry, Part 3: The Customer

The VR Industry, Part 3: The Customer

What we did wrong was assume that VR was only about games. We need to figure out now is how to monetize cinematic VR.
Go to the profile of Armando Kirwin
Armando Kirwin
The VR Industry, Part 4: The Cinematic VR Opportunity

The VR Industry, Part 4: The Cinematic VR Opportunity

Let’s take a closer look at the position cinematic VR occupies within the greater VR ecosystem.
Go to the profile of Armando Kirwin
Armando Kirwin
The VR Industry, Part 5: What’s Next

The VR Industry, Part 5: What’s Next

I believe that the foundation of this interactive medium will be cinema, not games.
Go to the profile of Armando Kirwin
Armando Kirwin
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