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Imre, Loránd Balázs
in
Doc.Kiez
Nov 18, 2018
#IDFA2018 special: Life is queer at its core
Touch Me Not (2018, 125'), Adina Pintilie
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81
Imre, Loránd Balázs
in
Doc.Kiez
Apr 24, 2020
Father Thirst in the Venezuelan Jungle
#VISIONSDUREEL2020: El Father Plays Himself (2020, ‘105), Mo Scarpelli
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137
Imre, Loránd Balázs
in
Doc.Kiez
Jul 10, 2019
Camerawork
through the experience of Kirsten Johnson regarding her film, Cameraperson
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133
Imre, Loránd Balázs
in
Doc.Kiez
Feb 25, 2019
Freak solo or sour-sweet scenarios for a still undervalued category
#IDFA2018 and #OSCARS2019 special…
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103
Imre, Loránd Balázs
in
Doc.Kiez
Oct 11, 2018
Kind of Unexpected
Coming of Age (2015, 60'), Teboho Edkins
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56
Imre, Loránd Balázs
in
Doc.Kiez
Aug 11, 2018
“Nobody trusted we could come back with a film shot in North Korea”
Interview with Francois Margolin…
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Imre, Loránd Balázs
in
Doc.Kiez
Dec 5, 2018
Talking about cinema doesn’t get us rid of populism
#IDFA2018: American Dharma (2018, 125'), Errol…
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67
Aleksandra Glinka
in
Doc.Kiez
Aug 7, 2018
Industrial Symphony of Life and Death
Taste of Cement (2017, 85'), Ziad Kalthoum
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3
Imre, Loránd Balázs
in
Doc.Kiez
Aug 8, 2018
Grit vs. Death
Napalm (2017, 100'), Claude Lanzmann
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1
About
Doc.Kiez
A Berlin-based friendly "kiez" (neighborhood) for thoughts, reviews, and other texts on worthwhile documentary films as well as interviews with documentary filmmakers.
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Berlin
Lanzmann
Film Reviews
Documentary
North Korea
Refugees
Film Reviews
Documentary
Lebanon
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Imre, Loránd Balázs
Aleksandra Glinka
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Imre, Loránd Balázs