Open in app
Sign inGet started
Father Thirst in the Venezuelan Jungle

Father Thirst in the Venezuelan Jungle

#VISIONSDUREEL2020: El Father Plays Himself (2020, ‘105), Mo Scarpelli
Go to the profile of Imre, Loránd Balázs
Imre, Loránd Balázs
Camerawork

Camerawork

through the experience of Kirsten Johnson regarding her film, Cameraperson
Go to the profile of Imre, Loránd Balázs
Imre, Loránd Balázs
Freak solo or sour-sweet scenarios for a still undervalued category

Freak solo or sour-sweet scenarios for a still undervalued category

#IDFA2018 and #OSCAR2019 special: Free Solo (2018, 90'), Elisabeth Chai Vasarhelyi — Jim Chin
Go to the profile of Imre, Loránd Balázs
Imre, Loránd Balázs
Talking about cinema doesn’t get us rid of populism

Talking about cinema doesn’t get us rid of populism

#IDFA2018: American Dharma (2018, 125'), Errol Morris
Go to the profile of Imre, Loránd Balázs
Imre, Loránd Balázs
#IDFA2018 special: Life is queer at its core

#IDFA2018 special: Life is queer at its core

Touch Me Not (2018, 125'), Adina Pintilie
Go to the profile of Imre, Loránd Balázs
Imre, Loránd Balázs
Kind of Unexpected

Kind of Unexpected

Coming of Age (2015, 60'), Teboho Edkins
Go to the profile of Imre, Loránd Balázs
Imre, Loránd Balázs
“Nobody trusted we could come back with a film shot in North Korea”

“Nobody trusted we could come back with a film shot in North Korea”

Interview with Francois Margolin, producer of Napalm (Claude Lanzmann, 2017)
Go to the profile of Imre, Loránd Balázs
Imre, Loránd Balázs
About Doc.KiezLatest StoriesArchiveAbout MediumTermsPrivacyTeams