Venice Biennale

The Ninth iDisplacement

Netted in shadows (or alternatively, pools of light), fragments of fleeting landscapes and sampled skies were caught…

The Eighth iDisplacement

In the same year (1969) that Robert Smithson [momentarily] displaced patches of ground in the Yucatan with square…

The Seventh iDisplacement

Heavy on classical notions of ‘balance,’ ‘order,’ and geometrical…

The Sixth iDisplacement

Descending into the undergrowth, down towards the Biennale’s canal-side edge, the mosquitos converged. Flicking and…

The Fifth iDisplacement

The map for 2017’s “Viva Arte Viva”-themed international art Biennale is riddled, as we expect the functional guide…

The Fourth iDisplacement

Across the gravel raked away from the steps of the French Pavilion, the light fell through the oak trees in the…

The Third iDisplacement

On a footpath contained within thin, steel barriers, backed by gravel held loosely in the diamond-shaped gaps of a…

The Second iDisplacement

On the steps leading to the Czech Republic’s one-room temple of a flock of neon swans, a second iDisplacement was…

The First iDisplacement

Between the imposing block of a concatenated Serbia-Egypt-Venice-Poland-Romania and the outpost of Brazil sinks a…

Incidents of iMirror-iTravel at the 2017 Venice Biennale

These nine episodes tell a story that is…