Here’s the gist of this: anyone who complains that Shane Black’s highly enjoyable The Nice Guys isn’t “good…
A good friend of mine thinks Apichatpong Weerasethakul, winner of the 2010 Cannes Palme d’Or with Uncle Boonmee Who Can Recall His Past Lives, is an invention of contrary film critics…
So, at this point, let’s face it: even though we all recognise Jodie Foster as someone serious and sincere in all of her endeavors, and George Clooney as that rare Hollywood star who actually puts his money…
In February 2014, I first came across Love Is Strange on the Panorama non-competitive sidebar at the Berlin Film Festival. I was instantly bowled over by this wonderfully discreet melodrama, and the experience stayed…
Invisibility turned out to be a rather peculiar through-line for a number of my viewings this week. Whether this was a result of having kicked off the week with Oren Moverman's Time Out of Mind or just…
It was American filmmaker Robert Greene that mentioned the one obvious yet perfect definition I haven’t been using for cinémas du réel or documentaire de creation over the past few years: “non-fiction cinema”. I’ve read it…