There’s a reason (actually, many, many reasons) why Ken Ludwig is the only playwright we bill as “Cleveland favorite!” Ken’s relationship with Cleveland Play House stretches back to 1985 when we were just the second theatre to stage one of his very first…

It was both an honor and a pleasure to produce the world premiere of 26 Pebbles by Eric Ulloa at The Human Race Theatre Company in February 2017, in Dayton, Ohio. Having worked with Eric on previous projects, when he asked me to read this play, of course, I…

It makes sense that Chris Miller and Nathan Tysen would create a song revue entitled Fugitive Songs. In a way, there is nothing more American than a fascination with fugitives, and there isn’t much theatre music which pulls together more strands of the…

Andrew Hinderaker’s play, Colossal has been making waves in theatres from D.C., to Texas, to Maryland, to Minnesota, and beyond.

When Katie Conaway was promoted to Director of Education and Outreach at Pittsburgh Public Theater in the fall of 2015, one of her first directives was to enhance the play-going experience for patrons with vision or hearing…

The latest play by acclaimed playwright Rosary Hartel O’Neill, Wishing Aces, was performed via a workshop reading at the Gallery Players theater in Brooklyn, New York, on October 9th, 2017.

The people who populate the fictional suburb of Rancho Viejo would probably never seek out, let alone read, a “Playwright’s Perspective” about a play called Rancho Viejo. Like most Americans, I’d guess, they’re only vaguely aware that playwrights still exist, and…

One of the big themes of Hannah and the Dread Gazebo is the limbic space, that in-between realm that is neither here nor there. Both Hannah and her brother, Dang, feel this by being Korean-American; they don’t feel they entirely belong in either America or Korea, because they don’t speak Korean…