BRITISH CINEMA

Director Terence Fisher revives Christopher Lee’s Dracula for Hammer’s lush, atmospheric sequel.

Ealing’s evergreen satire on commerce and manufacturing, industrial relations, progress and class.

Joseph Losey’s brutal excavation of memory, sexual obsession and toxic masculinity.

Another appointment with Anthony Shaffer and Robin Hardy’s enduring cult folk horror film

Michael Reeves’ brutal evocation of violent, cynical and corrupt Civil War England

J. Lee Thompson’s slice of pre-’kitchen sink’ British social realism

But I Might Die Tonight

We are the Martians

“I should rank The Curse of Frankenstein among the half-dozen most repulsive films I have encountered in the course of some 10,000 miles…

‘That girl is no girl, she’s totally alien to this planet and our life form. And totally dangerous.’

‘The Devil… has sent me twins of evil!’

“Nothing is what it seems”

“When love goes wrong, there’s more than two people suffer”

How the modern world’s rapid acceleration buries the past