THE RESIDENT (2011) is an exploitative, voyeuristic embarrassment that wastes a great cast

Netflix’s THE BABYSITTER (2017) is a stylishly self-aware Satanic horror/comedy

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Despite a flimsy story, HELL HOUSE, LLC (2016) delivers on the shocks and scares

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CAN’T TAKE IT BACK (2017) and the problem with social-media horror

#31DaysOfHorror: October 29

Forget the Babadook. The ‘Creature from the Black Lagoon’ is the true gay icon

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A GRAY STATE (2017) is a gripping, sad look at the life and death of a conspiracy-theorist-turned-filmmaker

Wes Craven’s THE PEOPLE UNDER THE STAIRS is just as relevant today as it was in 1991

#31DaysOfHorror: October 30

URBAN LEGENDS: BLOODY MARY (2005) is a sad, boring, joyless exercise— except for one brief moment of glory

THE SLUMBER PARTY MASSACRE (1982) is a biting, feminist satire of slasher movies

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THE MUMMY (1932) is an elegant, restrained psychological horror classic

#31DaysOfHorror: October 23