‘All That We Destroy’ is the worst installment of Hulu’s INTO THE DARK thus far

A review of the boring…

The Pass (2016) is a tragedy about the pressures — and erotics — of the closet

A review of the British…

With Netflix’s ‘Don’t F**k With Cats,’ the True Crime Reckoning May Have Begun

By Eric Langberg

Indonesian horror flick ‘The Doll’ is a cliché, yet impressively-nasty ‘Annabelle’ ripoff

A Moment In The Reeds (2017) is a deeply-empathetic, intensely-intimate film

A review of the…

“When we empathize with a psychopath, we negate the self” — Mindhunter Season 2 Gets Off to an Uneven, But Ultimately…

Hulu beats Netflix to the punch with the release of ‘Fyre Fraud,’ a compelling but odd documentary

WOUNDS is a sweaty, filthy, somewhat-confusing allegory for alcoholism

A review of the new horror…

‘Scotty and the Secret History of Hollywood’ (2017) is a confounding adaptation of a fun memoir about gay Classic…

Vincenzo Natali’s ‘In the Tall Grass’ is an excellent adaptation of a decent novella