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About Me Stories

A publication dedicated to bringing out the stories behind the writers themselves. A place of autobiographies. Types of personal stories include introductions, memoirs, self-reflections, and self-love.

Psychology
Culture
Society
Technology
Social Media

We’re Not Performing For The Camera Anymore

4 min read3 days ago

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Photo by Alexander Shatov on Unsplash

Everyone’s already said the easy version of this. Social media is fake. We perform for likes. We’re all actors now. I’ve read that argument a hundred times, in a hundred different outfits, and every time I finish reading it, I have the same reaction: okay, but so what? Knowing we’re performing hasn’t stopped anyone from performing. Naming the problem was never going to be the same thing as understanding it.

So here’s the part I don’t think gets said enough, the part that actually explains why knowing about it changes nothing: it’s not that we’re performing humanity. It’s that we’ve started rewriting our own memories in real time, before the moment we’re living through has even finished happening.

**The dinner I don’t actually remember**

Two years ago I was at a dinner with people I love, the kind of night that should have stayed vivid and whole in my memory. Somewhere around the second hour, someone said something genuinely funny, the whole table lost it, and my first instinct — before I even finished laughing — was to think: *that would’ve been a good clip.*

I didn’t film it. That’s not the point. The point is that some part of my brain had already, instantly, without permission, started drafting the caption. Editing the angle. Deciding which part of the joke would land in fifteen seconds and which part I’d cut. I wasn’t in the moment anymore. I was in the edit bay of a video that didn’t exist, watching a memory that hadn’t finished forming yet get trimmed down before it was even whole.

That’s the actual mechanism nobody talks about. It’s not that we perform for an audience. It’s that we’ve trained a second version of our own attention to run constantly in the background, evaluating our real, unrepeatable life for its content value while we’re still living it — and that second attention doesn’t turn off just because the camera never comes out.

**Why this is worse than performing**

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Performing, at least, leaves the original thing intact somewhere underneath the act. You can strip off a performance and find the real moment still sitting there, unedited, waiting for you.

But if the editing happens *during* the moment, in your own head, before the memory even finishes encoding — there’s no unedited version left to strip back to. You don’t have a real memory with a filtered one layered on top. You just have the filtered one. The edit isn’t something you did to the memory afterward. The edit *is* the memory, because that’s the only version your attention actually let you experience in full.

I think this is why so many people my age describe feeling a strange hollowness even in genuinely good moments lately — not because the moments themselves are lacking anything, but because we’ve split our attention in half without noticing, and only one half is actually present. The other half is already scripting the retelling.

**The question this actually raises**

Here’s what I keep circling back to, and it’s a harder question than “should we post less” or “should we be more present,” because both of those answers assume the problem is behavioral — something you can just choose to stop doing.

What if the problem isn’t behavioral anymore? What if enough years of training that second attention has made it involuntary — not a choice you’re making about how to experience your life, but a reflex your brain now runs automatically, the same way you can’t choose not to flinch at a loud noise?

If that’s true, then the old advice — put your phone away, be present, live in the moment — doesn’t actually fix anything. You can put the phone in another room and still spend the whole dinner mentally drafting a caption for a video you’re never going to make. The camera was never really the problem. It was just the visible symptom of an editing instinct that’s already running whether the camera’s out or not.

**So here’s what I actually want to know**

Have you ever caught yourself doing this — narrating or drafting a caption for a real moment while you were still inside it, with no phone even in your hand? And if you have, be honest: do you think you could actually stop, or has that second attention already become permanent?

I don’t think I could stop mine. I’ve tried. Tell me if you’ve had better luck.

Psychology
Culture
Society
Technology
Social Media

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About Me Stories
About Me Stories

Published in About Me Stories

A publication dedicated to bringing out the stories behind the writers themselves. A place of autobiographies. Types of personal stories include introductions, memoirs, self-reflections, and self-love.

jane
jane

Written by jane

Writer covering online culture and the rhetoric of certainty. Currently annoyed by people who are very sure about things they haven't checked.