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Opera Criticism in a Modern World
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Criticism on Fridays
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Opera Criticism in a Modern World
Editorial materials, reviews, interviews, and essays. My way to improve the opera industry. I’m Polina Lyapustina and I’m currently writing for operawire.com. No story is a part of Medium’s metered paywall.
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Classical Music
Polina Lyapustina
in
Opera Criticism in a Modern World
Feb 23, 2023
Criticism on Fridays: One Year of War
And It Is Time to Stop the War (Between Us)
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4
Polina Lyapustina
in
Opera Criticism in a Modern World
Feb 15, 2023
Maggio Musicale Fiorentino 2022–23: Doktor Faust
Auditorium Chatter or The Best They Were Allowed to Do
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Polina Lyapustina
in
Opera Criticism in a Modern World
Feb 4, 2023
Criticism on Fridays: Breaking! Lithuanian Ministry of Culture Is About to Destroy The National Opera
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Polina Lyapustina
in
Opera Criticism in a Modern World
Feb 3, 2023
Criticism on Fridays: The Voices Raised Against the Coming Changes At the MET
The Modern Biz-Dev…
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Polina Lyapustina
in
Opera Criticism in a Modern World
Jan 1, 2023
Criticism on Fridays: End of the Year But Not the War
A Little Prayer for the Russian Artists
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Polina Lyapustina
in
Opera Criticism in a Modern World
Dec 17, 2022
Best of 2022: OperaWire’s Staff on the Best Performances of the Year
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Polina Lyapustina
in
Opera Criticism in a Modern World
Dec 15, 2022
Donizetti Festival 2022 Review: La Favorite
Florian Sempey & Javier Camarena Shine In the Deeply…
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Polina Lyapustina
in
Opera Criticism in a Modern World
Feb 10, 2022
Criticism on Fridays: Hans Neuenfels & The Death That Comes On Its Own
The Death Of The Director Who…
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1
Polina Lyapustina
in
Opera Criticism in a Modern World
Oct 18, 2021
Criticism on Fridays: Safety First?
How Opera Houses Adapt to the New Balance of Safety Requirements…
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Polina Lyapustina
in
Opera Criticism in a Modern World
Oct 18, 2021
Haymarket Opera Company 2021 Review: Orlando
What if the Opera is a Museum?
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