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Opera Criticism in a Modern World
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Opera Criticism in a Modern World
Editorial materials, reviews, interviews, and essays. My way to improve the opera industry. I’m Polina Lyapustina and I’m currently writing for operawire.com. No story is a part of Medium’s metered paywall.
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Interview
Polina Lyapustina
in
Opera Criticism in a Modern World
Jul 1, 2021
Q & A: Sonya Yoncheva on the Rebirth of the Opera Industry & Finding Her Own Freedom as an Artist
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Polina Lyapustina
in
Opera Criticism in a Modern World
Apr 5, 2021
Q & A: Haymarket General Director Chase Hopkins on Stepping Into a Leadership Role in a Trying Time
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Polina Lyapustina
in
Opera Criticism in a Modern World
Feb 11, 2021
Without Making Compromises — Baritone Holger Falk on Empty Space as a Key-Driver of the Artistic Self-Development
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Polina Lyapustina
in
Opera Criticism in a Modern World
Nov 2, 2020
Opera Industry in Times of Uncertainty. Interview with Elīna Garanča
Elīna Garanča on the Challenges…
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Polina Lyapustina
in
Opera Criticism in a Modern World
Nov 11, 2019
Interview: Roberto Alagna — Always Singing & Smiling
Roberto Alagna On His Undying Passion For His…
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Polina Lyapustina
in
Opera Criticism in a Modern World
Jun 2, 2019
Soprano and Conductor Barbara Hannigan on Conducting, Equilibrium Project, and Ojai Festival
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68
Polina Lyapustina
in
Opera Criticism in a Modern World
Mar 26, 2019
Q & A: Tenor Kristian Benedikt On ‘Samson et Dalila’ & Opera Culture Around The World
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Polina Lyapustina
in
Opera Criticism in a Modern World
Mar 5, 2019
Interview: Director Robert Wilson on His ’Turandot,’ Lady Gaga, & His Style
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Polina Lyapustina
in
Opera Criticism in a Modern World
Feb 20, 2019
Q & A: Plácido Domingo & Ana Martinez On Competitions, Repertory Stagnation & Contemporary Works
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Polina Lyapustina
in
Opera Criticism in a Modern World
Dec 27, 2018
Q & A: Tenor Levy Sekgapane On Performing Bel Canto Repertoire, His Idol, & Plácido Domingo
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