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Opera Criticism in a Modern World
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Opera Criticism in a Modern World
Editorial materials, reviews, interviews, and essays. My way to improve the opera industry. I’m Polina Lyapustina and I’m currently writing for operawire.com. No story is a part of Medium’s metered paywall.
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Review
Polina Lyapustina
in
Opera Criticism in a Modern World
Jul 17
Noicattaro Lirica 2024 Review: Turandot
Grande Puccini in Piccolo Noicattaro
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2
Polina Lyapustina
in
Opera Criticism in a Modern World
Feb 15, 2023
Maggio Musicale Fiorentino 2022–23: Doktor Faust
Auditorium Chatter or The Best They Were Allowed to Do
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Polina Lyapustina
in
Opera Criticism in a Modern World
Dec 17, 2022
Best of 2022: OperaWire’s Staff on the Best Performances of the Year
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Polina Lyapustina
in
Opera Criticism in a Modern World
Dec 15, 2022
Donizetti Festival 2022 Review: La Favorite
Florian Sempey & Javier Camarena Shine In the Deeply…
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Polina Lyapustina
in
Opera Criticism in a Modern World
Oct 18, 2021
Haymarket Opera Company 2021 Review: Orlando
What if the Opera is a Museum?
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1
Polina Lyapustina
in
Opera Criticism in a Modern World
May 27, 2021
Zubin Mehta & His Orchestra to Light Up a Post-Covid World With Sensation Performance of Puccini’s Masterpiece
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17
Polina Lyapustina
in
Opera Criticism in a Modern World
Mar 10, 2021
Haymarket Opera Company 2020–21 Review: Apollo e Dafne
An Inspiring & Relevant Modern Production of…
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1
Polina Lyapustina
in
Opera Criticism in a Modern World
Jan 18, 2021
Bayerische Staatsoper 2021 Review: Eight Songs for a Mad King
Holger Falk & the Orchestra Deliver A…
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Polina Lyapustina
in
Opera Criticism in a Modern World
Dec 17, 2020
A Psychological Masterwork That Will Leave You Begging for the Single Sound of Music
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1
Polina Lyapustina
in
Opera Criticism in a Modern World
Dec 7, 2020
A Promise of Youth to All the Aged Masterpieces
MusicAeterna and Teodor Currentzis 2020 Review…
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