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Opera Criticism in a Modern World
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Opera Criticism in a Modern World
Editorial materials, reviews, interviews, and essays. My way to improve the opera industry. I’m Polina Lyapustina and I’m currently writing for operawire.com. No story is a part of Medium’s metered paywall.
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Polina Lyapustina
in
Opera Criticism in a Modern World
Jul 23
Editorial: Myth-Making in ‘Nixon in China’ and Why Modern Directors Don’t Get It
While Refining Their…
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Polina Lyapustina
in
Opera Criticism in a Modern World
Jul 17
Noicattaro Lirica 2024 Review: Turandot
Grande Puccini in Piccolo Noicattaro
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2
Polina Lyapustina
in
Opera Criticism in a Modern World
Jun 28
Editorial: Russian Opera Through the Iron Curtain
Import Substitution, Censorship, Blotting Out…
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Polina Lyapustina
in
Opera Criticism in a Modern World
Jun 20
Editorial: Is Peter Gelb Ready to Run the Met Opera Renewal All on His Own?
The Met’s Ticket Sales &…
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Polina Lyapustina
in
Opera Criticism in a Modern World
Jun 15
Editorial: Riccardo Muti Claims That Opera is Beyond the Singing
What We Shouldn’t Miss About Arena’s…
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Polina Lyapustina
in
Opera Criticism in a Modern World
Feb 15, 2023
Criticism on Fridays: Theatres vs. States
The European Opera Houses Give Ingenious Lessons on How to…
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Polina Lyapustina
in
Opera Criticism in a Modern World
Feb 15, 2023
Maggio Musicale Fiorentino 2022–23: Doktor Faust
Auditorium Chatter or The Best They Were Allowed to Do
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Polina Lyapustina
in
Opera Criticism in a Modern World
Feb 4, 2023
Criticism on Fridays: Breaking! Lithuanian Ministry of Culture Is About to Destroy The National Opera
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Polina Lyapustina
in
Opera Criticism in a Modern World
Feb 3, 2023
Criticism on Fridays: The Voices Raised Against the Coming Changes At the MET
The Modern Biz-Dev…
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Polina Lyapustina
in
Opera Criticism in a Modern World
Dec 17, 2022
Best of 2022: OperaWire’s Staff on the Best Performances of the Year
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