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Opera Criticism in a Modern World
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Opera Criticism in a Modern World
Editorial materials, reviews, interviews, and essays. My way to improve the opera industry. I’m Polina Lyapustina and I’m currently writing for operawire.com. No story is a part of Medium’s metered paywall.
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Music Review
Polina Lyapustina
in
Opera Criticism in a Modern World
Dec 7, 2020
A Promise of Youth to All the Aged Masterpieces
MusicAeterna and Teodor Currentzis 2020 Review…
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Polina Lyapustina
in
Opera Criticism in a Modern World
Dec 3, 2020
Reimagining ‘Fedora’ for the Modern Reality
Teatro Grattacielo 2020 Review: Fedora
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Polina Lyapustina
in
Opera Criticism in a Modern World
Dec 3, 2019
Marlis Petersen Shines As The Girl of Jonas Kaufmann’s Dreams
Bayerische Staatsoper 2019–20 Review…
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50
Polina Lyapustina
in
Opera Criticism in a Modern World
Oct 30, 2019
Anxiety is a New Drama
Opéra National de Paris 2019–20 Review: Don Carlo
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Polina Lyapustina
in
Opera Criticism in a Modern World
Sep 30, 2019
18th-century opera in The Style Wes Anderson
Banchetto Musicale 2019 Review: Pimpinone
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Polina Lyapustina
in
Opera Criticism in a Modern World
Aug 1, 2019
Asmik Grigorian Gives A Remarkable Lesson In Originality
Midsummer Vilnius 2019 Review: Asmik…
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23
Polina Lyapustina
in
Opera Criticism in a Modern World
Jul 24, 2019
A Young Tenor Brings A Young, Millenial Audience To Its Feet
Christopher Summer Festival 2019 Review…
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4
Polina Lyapustina
in
Opera Criticism in a Modern World
Jun 10, 2019
Showcasing Bright Young Imperfection
Philharmonie De Paris 2018–19 Review: The Rake’s Progress
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22
Polina Lyapustina
in
Opera Criticism in a Modern World
Jun 9, 2019
How to review an Opera. A complete beginner’s guide.
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30
Polina Lyapustina
in
Opera Criticism in a Modern World
May 26, 2019
Jonas Kaufmann Goes Missing, But Anja Harteros Brings The Superstar Power
Opera National De Paris…
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