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Opera Criticism in a Modern World

Editorial materials, reviews, interviews, and essays. My way to improve the opera industry. I’m Polina Lyapustina and I’m currently writing for operawire.com. No story is a part of Medium’s metered paywall.

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Opera

Polina Lyapustina in Opera Criticism in a Modern World

Jul 23

Editorial: Myth-Making in ‘Nixon in China’ and Why Modern Directors Don’t Get It

While Refining Their…

Polina Lyapustina in Opera Criticism in a Modern World

Jul 17

Noicattaro Lirica 2024 Review: Turandot

Grande Puccini in Piccolo Noicattaro

Polina Lyapustina in Opera Criticism in a Modern World

Jun 20

Editorial: Is Peter Gelb Ready to Run the Met Opera Renewal All on His Own?

The Met’s Ticket Sales &…

Polina Lyapustina in Opera Criticism in a Modern World

Jun 15

Editorial: Riccardo Muti Claims That Opera is Beyond the Singing

What We Shouldn’t Miss About Arena’s…

Polina Lyapustina in Opera Criticism in a Modern World

Mar 20, 2023

Criticism on Fridays: British Musicians Suffer from the Cost of Living Crisis

Skipping a Meal…

Polina Lyapustina in Opera Criticism in a Modern World

Feb 23, 2023

Criticism on Fridays: One Year of War

And It Is Time to Stop the War (Between Us)

Polina Lyapustina in Opera Criticism in a Modern World

Feb 15, 2023

Criticism on Fridays: Theatres vs. States

The European Opera Houses Give Ingenious Lessons on How to…

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Polina Lyapustina in Opera Criticism in a Modern World

Feb 15, 2023

Maggio Musicale Fiorentino 2022–23: Doktor Faust

Auditorium Chatter or The Best They Were Allowed to Do

Polina Lyapustina in Opera Criticism in a Modern World

Feb 4, 2023

Criticism on Fridays: Breaking! Lithuanian Ministry of Culture Is About to Destroy The National Opera

Polina Lyapustina in Opera Criticism in a Modern World

Feb 3, 2023

Criticism on Fridays: The Voices Raised Against the Coming Changes At the MET

The Modern Biz-Dev…