Top stories published by Opera Criticism in a Modern World in 2022

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Opera Criticism in a Modern World

Top Stories published by Opera Criticism in a Modern World in 2022

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2022

Polina Lyapustina in Opera Criticism in a Modern World

Apr 7, 2022

Editorial: Diva In The War

How Anna Netrebko’s Case Proves Opera As The Most Political Artform

Polina Lyapustina in Opera Criticism in a Modern World

Dec 9, 2022

Donizetti Festival 2022 Review: L’aio nell’imbarazzo

Alex Esposito & Alessandro Corbelli Shine in…

Polina Lyapustina in Opera Criticism in a Modern World

Dec 15, 2022

Donizetti Festival 2022 Review: La Favorite

Florian Sempey & Javier Camarena Shine In the Deeply…

Polina Lyapustina in Opera Criticism in a Modern World

Apr 2, 2022

Editorial: Cancel Me

A Note From a Russian Critic’s Daily Record

Polina Lyapustina in Opera Criticism in a Modern World

Feb 10, 2022

Criticism on Fridays: Hans Neuenfels & The Death That Comes On Its Own

The Death Of The Director Who…

Polina Lyapustina in Opera Criticism in a Modern World

Dec 9, 2022

Criticism on Fridays: La Scala Opening Night

The Presentation of ‘Boris Godunov’ at Prima della Scala…

Polina Lyapustina in Opera Criticism in a Modern World

Dec 17, 2022

Best of 2022: OperaWire’s Staff on the Best Performances of the Year

Polina Lyapustina in Opera Criticism in a Modern World

Dec 17, 2022

Criticism on Fridays: Re-Evaluating the Perspective on the English National Opera Crisis

Polina Lyapustina in Opera Criticism in a Modern World

Feb 28, 2022

Criticism on Fridays: Stop the War (Between Us)

Can Art Bring Together What War Has Torn Apart?

2021

2023

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Opera Criticism in a Modern World

Editorial materials, reviews, interviews, and essays. My way to improve the opera industry. I’m Polina Lyapustina and I’m currently writing for operawire.com. No story is a part of Medium’s metered paywall.

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